False Memory. In this ongoing series, I explore areas in Bolivia, Chile, and Mexico shaped by centuries of natural resource extraction and the exploitation of human labor. Eduardo Galeano’s writing on Latin America informs the work. I draw on his descriptions of landscapes transformed by extractive industries: mountains carved into hollow shells and vast forests cut down to empty plains.

The project brings together a wide range of analog and digital formats, in both color and black and white. Each format offers a distinct point of view, almost like a character in a novel. Research in institutional and private archives in each location also forms part of the project’s structure.

Wear your headphones and listen to a soundscape produced exclusively for this project by Espacio No Domesticable with poetry in Spanish by René Zinho.

Waiting for Eduardo Galeano, Montevideo, Uruguay.